September 2021 – Cinema of the Americas
CinemaLit September: Cinema from the Americas
Latin American lives are explored in three intimate films from Cuba, Panama, and Argentina. Yuli (2018) is a biopic of a famed performing artist born in Cuba. Panama Canal Stories (2014) offers a century of history through the lives impacted by the creation of the Panama Canal. And The Official Story (1985) is a devastating family drama set against the Argentine military dictatorship.
Yuli (2019), Cuba, 112 minutes
Young Carlos is growing up in an impoverished neighborhood of Havana, his future seemingly narrow and unfulfilling. But he has a rare gift for dancing, and is soon training at the National Ballet School of Cuba. In a reversal of storytelling expectations, Carlos rebels while his father keeps pushing him to dance. Carlos is eventually won over and becomes an international star, breaking the color barriers for classical male roles in ballet.
Yuli is the true story of Carlos Acosta, who appears as himself in the film. Anyone expecting a Billy Elliot style rendering will be disappointed. Neither Acosta nor director Icíar Bollaín avoids the less flattering aspects of his life, personality, and career. Family dynamics and living conditions are treated without compromise. Acosta's ambivalence for the spotlight remains, despite reaching the heights of his profession. While the film is laudably realistic, it is also awash in some of the most glorious dancing ever recorded on film. If nothing else, Yuli is a thrilling tribute to that most ephemeral of the arts.
Matthew Kennedy, CinemaLit’s curator, has written biographies of Marie Dressler, Joan Blondell, and Edmund Goulding. His book Roadshow! The Fall of Film Musicals in the 1960s, was the basis of a film series on Turner Classic Movies.
“I don't have a favorite film,” Matthew says. "I find that my relationships to films, actors, genres, and directors change as I change over the years. Some don't hold up. Some look more profound, as though I've caught up with their artistry. I feel that way about Garbo, Cary Grant, director John Cassavetes, and others."
“Classic films have historical context, something only time can provide,” Matt observes. “They become these great cultural artifacts, so revealing of tastes, attitudes, and assumptions.”
INSTRUCTIONS FOR JOINING THE CINEMALIT SALON
First watch the selected film on Kanopy. All you will need is either a Mechanics' Institute library card, or a San Francisco Public Library card, which will give you access to Kanopy and its treasure trove of movies. Make a reservation for our CinemaLit Salon as usual via Eventbrite and watch the film on Kanopy at your leisure. You will receive a link to the Friday night CinemaLit salon on Zoom one day in advance, and then an additional reminder roughly two hours in advance. On the night of the salon click the Zoom link and join us.
If you do not receive a Zoom Link by 4:00 PM on the day of the event, contact Pam Troy at [email protected].
KANOPY INSTRUCTIONS
Mechanics’ Institute members can now sign up for FREE access to Kanopy, a wonderful film streaming service. To sign up:
1. Click on THIS LINK.
2. Click on the large orange login button that reads, “Log in to milibrary.”
3. Enter the 14-digit bar code from your MI Library card
4. Set up your account following Kanopy’s instructions, including your email and a password.
5. Kanopy will send verification to your email address.
You’ll be able to choose from a wonderful selection of films, including classics, pre-code, foreign films, and documentaries, including the films we’ve scheduled this month for CinemaLit.
If you are not a Mechanics’ Institute member, consider membership and click HERE to join online:
Or, you can check with your public library to see if they are Kanopy members. If so, you may use your public library card to set up a Kanopy account.
Register with Eventbrite below.
If the green TICKET button is not immediately visible, scroll down on the right in the Eventbrite window until it appears.
CinemaLit Films
